Cio Cio San
Marina Rebeka
Suzuki
Laura Verrecchia
Kate Pinkerton
Ivana Canovic
B. F. Pinkerton
Luciano Ganci
Sharpless
Nicola Alaimo
Goro
Andrea Galli
Prince Yamadori
Murat Güven
Uncle Bonzo
Deyan Vatchkov
Uncle Yakusidé
Luigi Cirillo
The Imperial Commissioner
Adriano Gramigni
The registrar
Omar Cepparolli
Cio Cio San
Saioa Hernández
Suzuki
Laura Verrecchia
Kate Pinkerton
Ivana Canovic
B. F. Pinkerton
Luciano Ganci
Sharpless
Nicola Alaimo
Goro
Andrea Galli
Prince Yamadori
Murat Can Guvem
Uncle Bonzo
Deyan Vatchkov
Lo zio Yakusidé
Luigi Cirillo
The Imperial Commissioner
Adriano Gramigni
The registrar
Omar Cepparolli
Cio Cio San
Carmen Giannattasio
Suzuki
Annunziata Vestri
Kate Pinkerton
Ivana Canovic
B. F. Pinkerton
Piero Pretti
Sharpless
Ambrogio Maestri
Goro
Andrea Galli
Prince Yamadori
Murat Can Guvem
Uncle Bonzo
Deyan Vatchkov
Uncle Yakusidé
Luigi Cirillo
The Imperial Commissioner
Adriano Gramigni
The registrar
Omar Cepparolli
Booklet by
Giuseppe Giacosa e Luigi Illica
From the Japanese tragedy of Madame Butterfly by David Belasco and the short story of the same name by John Luther Long
Music by
Giacomo Puccini
Principal conductor and orchestra conductor
Francesco Ivan Ciampa
Direction and set design
Pier Francesco Maestrini
Set Design and Video Projections
Jean Paul Carradori
Lights Valerio Alfieri
Orchestra, Choir and Children’s Choir of the Puccini Festival
Choirmaster: Marco Faelli
Children’s Choir Director: Sonia Franzese
Introduction:
The opera is set at the beginning of the 20th century in Nagasaki, Japan, and deals with themes of love, sacrifice and cultural conflict. The story revolves around Cio-Cio-San, a young geisha, and the American lieutenant B.F. Pinkerton, who marries her in an arranged marriage, but with no intention of taking the bond seriously.
Synopsis:
In the first act, Pinkerton arrives in Nagasaki and marries Cio-Cio-San, promising to return after a short time. Cio-Cio-San, in love and trusting, abandons her former life and devotes herself completely to Pinkerton. However, the lieutenant considers the marriage only a game and does not care about the consequences.
In the second act, Cio-Cio-San anxiously awaits the return of Pinkerton, who has meanwhile returned to America. The young woman is convinced that his love is sincere and that he will return to her. Her faith is tested when she discovers that Pinkerton has married another woman, but she continues to hope.
In the third act, Pinkerton finally returns to Nagasaki, but not to be reunited with Cio-Cio-San. He discovers that she has had a child by him and has been living in anticipation of his return. The situation culminates in a tragic moment in which Cio-Cio-San, overwhelmed by grief and disappointment, makes a dramatic decision.